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3.4 / 5

23 votes

Platform
TurboGrafx-16
Genres
Action · Adventure
Player Perspective
Side view
Developers
Namco
Publishers
Ving Co., Ltd. · Namco · Namco Bandai Games
Release date
November 1, 1988

Summary

Splatterhouse on the TurboGrafx‑16 keeps the arcade’s gritty, side‑scrolling beat‑em‑up core while adding a few quirks that make the console version feel its own beast. You guide Rick, a parapsychology student resurrected by the sentient Terror Mask, through West Mansion’s cramped corridors, punching, kicking and unleashing a signature drop‑kick that skids across the floor and smashes anything in its path. Along the way you can snag a handful of weapons—though the TG‑16 swaps the original meat cleaver for a wooden board early on and upgrades the Stage 4 axe to a gleaming golden cleaver.

The level design stays true to the original’s left‑to‑right march, but hidden holes and ladders let you slip into alternate routes, giving each floor a faint sense of branching. Every stage ends in a single‑room boss showdown with its own win condition, and the game’s checkpoint system sends you back to the last save point instead of the start, a subtle nudge against the classic “credit‑feeding” habit.

The console port also trims a few of the arcade’s more graphic moments: the crawling hand no longer flashes a middle finger, the Stage 6 womb’s gruesome fluid spill is replaced by a generic fiery burst, and the final boss’s death is shown as an explosion rather than a gore‑filled splash. North‑American releases even recolor the Terror Mask to a blood‑red with black accents, strip the cathedral arches from the Stage 4 boss arena, swap an inverted‑cross enemy for a severed head, and replace the wooden cross grave with a plain tombstone. The box even sports a faux parental‑advisory warning, reminding you that this isn’t a game for the faint‑hearted.

Storyline

In the TurboGrafx‑16 version of Splatterhouse, college students Rick Taylor and Jennifer Willis dash for shelter from a storm inside the infamous West Mansion, a local landmark rumored to hide Dr. West’s gruesome experiments. The moment they step inside the door slams shut and Jennifer lets out a terrified scream.

Rick awakens in the mansion’s dungeon, resurrected by the sentient Mayan Terror Mask that fuses to his face and grants him monstrous strength. Empowered, he tears through hordes of creatures, finds Jennifer on a couch surrounded by monsters that flee at his arrival, and watches her transform into a towering, fanged beast. Forced to slay her, she briefly returns to normal, thanks him, and then dies.

Enraged, Rick follows the remaining monsters to a massive, blood‑stained hole that reveals the mansion itself is alive. He battles through a crimson hallway to the house’s "womb," destroys it and watches the building burst into flames. Escaping, he encounters a grave where the mask revives the giant Hell Chaos; after defeating the monster, the mask shatters, restoring Rick to his human form. He flees as the mansion collapses, and after the credits the Terror Mask reassembles, laughs evilly, and the word “END” appears on screen.

Edited by Maya Carter

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